
Ronald S. Bienstock
Partner
201-896-7169 rbienstock@sh-law.comFirm Insights
Author: Ronald S. Bienstock
Date: January 3, 2020
Partner
201-896-7169 rbienstock@sh-law.comWhile Taylor Swift was recently named the “Artist of the Decade” at the American Music Awards, she has been unable to shake a copyright infringement suit over the lyrics of her 2014 hit Shake It Off. The Ninth Circuit Court of Appeals recently reversed the dismissal of copyright infringement claims against Swift after concluding that the evidence did not support a summary conclusion of lack of originality for copyright protection.
The copyright infringement suit, filed by Sean Hall, alleges that Swift copied the lyrics of his 2001 composition Playas Gon’ Play. The suit asserts a single claim of copyright infringement against Swift, which premised upon the lyrical similarities between Playas Gon’ Play and Shake it Off.
The chorus of Playas Gon’ Play consists of the following lyrics: “Playas, they gonna play / And haters, they gonna hate / Ballers, they gonna ball / Shot callers, they gonna call / That ain’t got nothin’ to do / With me and you / That’s the way it is / That’s the way it is.”
Meanwhile, the chorus of Shake it Off contains the following lyrics: “Cause the players gonna play, play, play, play, play / And the haters gonna hate, hate, hate, hate, hate / Baby I’m just gonna shake, shake, shake, shake, shake / Shake it off / Shake it off / Heartbreakers gonna break, break, break, break, break / And the fakers gonna fake, fake, fake, fake, fake / Baby I’m just gonna shake, shake, shake, shake, shake / Shake it off / Shake it off.”
The district court dismissed the complaint based on a lack of originality in the challenged portions of the lyrics. “The allegedly infringed lyrics are short phrases that lack the modicum of originality and creativity required for copyright protection,” Judge Michael Fitzgerald wrote in “Accordingly, if there was copying, it was only of unprotected elements of Playas Gon’ Play.”
As explained by the court, the Copyright Act protects “original” works of authorship fixed in any tangible medium of expression. With regard to song lyrics, they “must be sufficiently original and creative to warrant copyright protection.” Originality means “that the work originates in the author rather than having been copied from past sources” and creativity signifies “that the work has a spark that goes beyond the banal or trivial.”
According to Judge Fitzgerald, the two allegedly infringing phrases from the lyrics of Playas Gon’ Play did not meet the standard for originality. “By 2001, American popular culture was heavily steeped in the concepts of players, haters, and player haters … The concept of actors acting in accordance with their essential nature is not at all creative; it is banal,” he wrote.
On October 28, 2019, the Ninth Circuit Court of Appeals reversed and reinstated the suit. It found that Hall’s complaint “still plausibly alleged originality” and, therefore, should not have been dismissed.
In support of its decision, the federal appeals court cited a century-old ruling from Supreme Court Justice Oliver Wendell Holmes. “It would be a dangerous undertaking for persons trained only to the law to constitute themselves final judges of the worth of pictorial illustrations, outside of the narrowest and most obvious limits,” Holmes wrote in 1903. “At the one extreme, some works of genius would be sure to miss appreciation. Their very novelty would make them repulsive until the public had learned the new language in which their author spoke.”
In its opinion, the Ninth Circuit emphasized that “originality, as we have long recognized, is normally a question of fact.” The court further explained:
Justice Holmes’ century-old warning remains valid. By concluding that, “for such short phrases to be protected under the Copyright Act, they must be more creative than the lyrics at issues here,” the district court constituted itself as the final judge of the worth of an expressive work. Because the absence of originality is not established either on the face of the complaint or through the judicially noticed matters, we reverse the district court’s dismissal.
The Ninth Circuit remanded the case back to the district court for further proceedings.
As the Ninth Circuit’s decision highlights, originality is typically a question of fact. Accordingly, it is very difficult to dismiss copyright infringement claims on that basis at the motion to dismiss phase. Of course, Swift may still be able to “shake” the suit as it proceeds through the litigation process.
If you have any questions or if you would like to discuss the matter further, please contact me, Ron Bienstock, or the Scarinci Hollenbeck entertainment and media attorney with whom you work, at 201-806-3364.
No Aspect of the advertisement has been approved by the Supreme Court. Results may vary depending on your particular facts and legal circumstances.
Your home is likely your greatest asset, which is why it is so important to adequately protect it. Homeowners insurance protects you from the financial costs of unforeseen losses, such as theft, fire, and natural disasters, by helping you rebuild and replace possessions that were lost While the definition of “adequate” coverage depends upon a […]
Author: Jesse M. Dimitro
Making a non-contingent offer can dramatically increase your chances of securing a real estate transaction, particularly in competitive markets like New York City. However, buyers should understand that waiving contingencies, including those related to financing, or appraisals, also comes with significant risks. Determining your best strategy requires careful analysis of the property, the market, and […]
Author: Jesse M. Dimitro
Business Transactional Attorney Zemel to Spearhead Strategic Initiatives for Continued Growth and Innovation Little Falls, NJ – February 21, 2025 – Scarinci & Hollenbeck, LLC is pleased to announce that Partner Fred D. Zemel has been named Chair of the firm’s Strategic Planning Committee. In this role, Mr. Zemel will lead the committee in identifying, […]
Author: Scarinci Hollenbeck, LLC
Big changes sometimes occur during the life cycle of a contract. Cancelling a contract outright can be bad for your reputation and your bottom line. Businesses need to know how to best address a change in circumstances, while also protecting their legal rights. One option is to transfer the “benefits and the burdens” of a […]
Author: Dan Brecher
What is a trade secret and why you you protect them? Technology has made trade secret theft even easier and more prevalent. In fact, businesses lose billions of dollars every year due to trade secret theft committed by employees, competitors, and even foreign governments. But what is a trade secret? And how do you protect […]
Author: Ronald S. Bienstock
If you are considering the purchase of a property, you may wonder — what is title insurance, do I need it, and why do I need it? Even seasoned property owners may question if the added expense and extra paperwork is really necessary, especially considering that people and entities insured by title insurance make fewer […]
Author: Patrick T. Conlon
No Aspect of the advertisement has been approved by the Supreme Court. Results may vary depending on your particular facts and legal circumstances.
Consider subscribing to our Firm Insights mailing list by clicking the button below so you can keep up to date with the firm`s latest articles covering various legal topics.
Stay informed and inspired with the latest updates, insights, and events from Scarinci Hollenbeck. Our resource library provides valuable content across a range of categories to keep you connected and ahead of the curve.
While Taylor Swift was recently named the “Artist of the Decade” at the American Music Awards, she has been unable to shake a copyright infringement suit over the lyrics of her 2014 hit Shake It Off. The Ninth Circuit Court of Appeals recently reversed the dismissal of copyright infringement claims against Swift after concluding that the evidence did not support a summary conclusion of lack of originality for copyright protection.
The copyright infringement suit, filed by Sean Hall, alleges that Swift copied the lyrics of his 2001 composition Playas Gon’ Play. The suit asserts a single claim of copyright infringement against Swift, which premised upon the lyrical similarities between Playas Gon’ Play and Shake it Off.
The chorus of Playas Gon’ Play consists of the following lyrics: “Playas, they gonna play / And haters, they gonna hate / Ballers, they gonna ball / Shot callers, they gonna call / That ain’t got nothin’ to do / With me and you / That’s the way it is / That’s the way it is.”
Meanwhile, the chorus of Shake it Off contains the following lyrics: “Cause the players gonna play, play, play, play, play / And the haters gonna hate, hate, hate, hate, hate / Baby I’m just gonna shake, shake, shake, shake, shake / Shake it off / Shake it off / Heartbreakers gonna break, break, break, break, break / And the fakers gonna fake, fake, fake, fake, fake / Baby I’m just gonna shake, shake, shake, shake, shake / Shake it off / Shake it off.”
The district court dismissed the complaint based on a lack of originality in the challenged portions of the lyrics. “The allegedly infringed lyrics are short phrases that lack the modicum of originality and creativity required for copyright protection,” Judge Michael Fitzgerald wrote in “Accordingly, if there was copying, it was only of unprotected elements of Playas Gon’ Play.”
As explained by the court, the Copyright Act protects “original” works of authorship fixed in any tangible medium of expression. With regard to song lyrics, they “must be sufficiently original and creative to warrant copyright protection.” Originality means “that the work originates in the author rather than having been copied from past sources” and creativity signifies “that the work has a spark that goes beyond the banal or trivial.”
According to Judge Fitzgerald, the two allegedly infringing phrases from the lyrics of Playas Gon’ Play did not meet the standard for originality. “By 2001, American popular culture was heavily steeped in the concepts of players, haters, and player haters … The concept of actors acting in accordance with their essential nature is not at all creative; it is banal,” he wrote.
On October 28, 2019, the Ninth Circuit Court of Appeals reversed and reinstated the suit. It found that Hall’s complaint “still plausibly alleged originality” and, therefore, should not have been dismissed.
In support of its decision, the federal appeals court cited a century-old ruling from Supreme Court Justice Oliver Wendell Holmes. “It would be a dangerous undertaking for persons trained only to the law to constitute themselves final judges of the worth of pictorial illustrations, outside of the narrowest and most obvious limits,” Holmes wrote in 1903. “At the one extreme, some works of genius would be sure to miss appreciation. Their very novelty would make them repulsive until the public had learned the new language in which their author spoke.”
In its opinion, the Ninth Circuit emphasized that “originality, as we have long recognized, is normally a question of fact.” The court further explained:
Justice Holmes’ century-old warning remains valid. By concluding that, “for such short phrases to be protected under the Copyright Act, they must be more creative than the lyrics at issues here,” the district court constituted itself as the final judge of the worth of an expressive work. Because the absence of originality is not established either on the face of the complaint or through the judicially noticed matters, we reverse the district court’s dismissal.
The Ninth Circuit remanded the case back to the district court for further proceedings.
As the Ninth Circuit’s decision highlights, originality is typically a question of fact. Accordingly, it is very difficult to dismiss copyright infringement claims on that basis at the motion to dismiss phase. Of course, Swift may still be able to “shake” the suit as it proceeds through the litigation process.
If you have any questions or if you would like to discuss the matter further, please contact me, Ron Bienstock, or the Scarinci Hollenbeck entertainment and media attorney with whom you work, at 201-806-3364.
Let`s get in touch!
Sign up to get the latest from the Scarinci Hollenbeck, LLC attorneys!